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内容简介:
Just out of college, Patricia Hampl was mesmerized by a
Matisse painting in the Art Institute of Chicago: an aloof woman
gazing at goldfish in a bowl, a Moroccan screen behind her. In Blue
Arabesque, Hampl explores the allure of this lounging woman,
immersed in leisure, so at odds with the rush of the modern era.
Hampls meditation takes us to the Cote dAzur and to North Africa,
from cloister to harem, pondering figures as diverse as Eugene
Delacroix, F. Scott Fitzgerald, and Katherine Mansfield. Returning
always to Matisses portraits of languid women, she discovers they
were not decorative indulgences but something much more. Moving
with the life force that Matisse sought in his work, Blue Arabesque
is Hampls dazzling and critically acclaimed tour de force.
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作者介绍:
PATRICIA HAMPL is the author of three memoirs--A Romantic
Education, Virgin Time, and I Could Tell You Stories--and two
collecti*** of poetry. She has received a MacArthur Fellowship,
among many other awards. She lives in St. Paul, where she is
Regents Professor at the University of Minnesota.
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编辑推荐
PRAISE FOR BLUE ARABESQUE "Ultimately, Blue Arabesque isn't a
memoir so much as it is a paean to the act of seeing, celebrating
our capacity to be transformed by the truths art holds, recognizing
them as holy . . . Read Blue Arabesque and you too might
mistake--or exchange--art museums for churches." (The New York
Times Book Review )"Blue Arabesque is a marvel--so free, so
inventive, and so unpretentiously deep." (Phyllis Rose, author of
Parallel Lives )*In this discursive and absorbing interdisciplinary
work, Hampl (A Romantic Education) explores the artistic life from
an impressively diverse number of perspectives. Her starting place
is Matisse's Woman Before an Aquarium, a painting that, to her,
represents the languid, inward-looking life of the mind that leads
to great art. From this image, Hampl sets off on an intellectual
journey that leads her from Matisse's odalisques to those of
Delacroix and Ingres, then outward to the larger noti*** of
orientalism and exoticism that pervade such works. The pleasure of
reading this book comes from following Hampl as she skips swiftly
from one subject to anothe***hile maintaining a perfect c***istency
of tone and theme. In one particularly illuminating sequence, Hampl
discusses the career of Jerome Hill, a documentary filmmaker from
her hometown of St. Paul, Minn., who chronicled the minutiae of his
life in his final film; the hometown connection allows Hampl to
explore ***ects of her own life as well. Whether discussing the
journals of Katherine Mansfield or the harems of the 18th century,
Hampl proves to be an authoritative and beguiling guide to the joys
of leisure and the intellect. (Publishers Weekly, starred review
)*Hampl's memoirs of discovery are exhilarating. Writing of both
earthly pilgrimages and the inner journeys they provoke, she brings
a poet's love of language, fluency in patterns and modulati***, and
fascination with the life of the mind to unusual aesthetic,
spiritual, and cultural inquiries. Her most sensuous, sinuous, and
radiant book to date arcs from contemplation of a painting by
Matisse. Woman before an Aquarium has served as icon and lodestar
for Hampl ever since she was first "apprehended" by it in Chicago
in 1972. Matisse's arresting image of a self-possessed woman gazing
at goldfish in a fishbowl in a room with a blue Moroccan screen
inspires Hampl to compose scintillating and spiraling reflecti***
on containment, the nature of time, the significance of leisure,
Matisse's love of fabric, European fantasies about harems, and a
little-known filmmaker from Hampl's hometown, St. Paul, Minnesota.
Entwining the gold gleaned from her inspired research with bright
strands of autobiography and unforeseen turns of thought to create
finely filigreed prose, Hampl does with words what Matisse does
with line and color, that is, reaches to the essence of perception,
"not simply what was seen, but how seeing was experienced."
(Booklist -Donna Seaman, starred review )
书籍介绍
Just out of college, Patricia Hampl was mesmerized by a Matisse painting in the Art Institute of Chicago: an aloof woman gazing at goldfish in a bowl, a Moroccan screen behind her. In Blue Arabesque, Hampl explores the allure of this lounging woman, immersed in leisure, so at odds with the rush of the modern era. Hampls meditation takes us to the Cote dAzur and to North Africa, from cloister to harem, pondering figures as diverse as Eugene Delacroix, F. Scott Fitzgerald, and Katherine Mansfield. Returning always to Matisses portraits of languid women, she discovers they were not decorative indulgences but something much more. Moving with the life force that Matisse sought in his work, Blue Arabesque is Hampls dazzling and critically acclaimed tour de force.
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