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Zeitgeist

The Roaring Twenties in Berlin

It was the decade of daring Expressionist canvases, of brilliant book design, of the Bauhaus total work of art, of pioneering psychology, of drag balls, cabaret, Metropolis, and Marlene Dietrich’s rising star in theater and silent film. Between the paroxysms of two world wars, Berlin in the 1920s was a carpe diem cultural heyday, replete with groundbreaking art, invention, and thought.

This book immerses readers in the freewheeling spirit of Berlin’s Weimar age. Through exemplary works in painting, sculpture, architecture, graphic design, p***ography, and film, we uncover the innovati***, ideas, and precious dreams that characterized this unique cultural window. We take in the jazz bars and dance halls; the crowded kinos and flapper fashion; the advances in technology and transport; the radio towers and rumbling trams and trains; the soaring buildings; the cinematic masterworks; and the newly independent women who smoked cigarettes, wore their hair short, and earned their own money.

Featured works in this vivid cultural portrait include Hannah Höch’s Journalists; Lotte Jacobi’s Hands on the Typewriter; Otto Dix’s Portrait of Sylvia von Harden; Peter Behrens’s Project Alexanderplatz; and Josef von Sternberg’s The Blue Angel, starring Dietrich as cabaret performer Lola Lola. Along the way, we explore both the utopian yearnings and the more ominous economic and political realities which fueled the era’s escapist, idealistic, or reactionary masterworks. Behind the bright lights and glitter dresses, we see the inflation, factory labor, and fragile political c***ensus that lurked beneath this golden era and would eventually spell its savage end with the rise of National Socialism.

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Rainer Metzger studied art history, history, and German studies in Munich and Augsburg. He worked as a fine arts journalist for the Viennese newspaper Der Standard and has written numerous books on art, including volumes on Van Gogh and Chagall.

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We were like sailboats in the wind, with white or black or red sails. Some boats sported pennants with three lightning bolts, or a hammer and sickle, or a swastika on a steel helmet; at a distance, they all looked alike.

GEORGE GROSZ

书籍介绍

Zeitgeist

The Roaring Twenties in Berlin

It was the decade of daring Expressionist canvases, of brilliant book design, of the Bauhaus total work of art, of pioneering psychology, of drag balls, cabaret, Metropolis, and Marlene Dietrich’s rising star in theater and silent film. Between the paroxysms of two world wars, Berlin in the 1920s was a carpe diem cultural heyday, replete with groundbreaking art, invention, and thought.

This book immerses readers in the freewheeling spirit of Berlin’s Weimar age. Through exemplary works in painting, sculpture, architecture, graphic design, p***ography, and film, we uncover the innovati***, ideas, and precious dreams that characterized this unique cultural window. We take in the jazz bars and dance halls; the crowded kinos and flapper fashion; the advances in technology and transport; the radio towers and rumbling trams and trains; the soaring buildings; the cinematic masterworks; and the newly independent women who smoked cigarettes, wore their hair short, and earned their own money.

Featured works in this vivid cultural portrait include Hannah Höch’s Journalists; Lotte Jacobi’s Hands on the Typewriter; Otto Dix’s Portrait of Sylvia von Harden; Peter Behrens’s Project Alexanderplatz; and Josef von Sternberg’s The Blue Angel, starring Dietrich as cabaret performer Lola Lola. Along the way, we explore both the utopian yearnings and the more ominous economic and political realities which fueled the era’s escapist, idealistic, or reactionary masterworks. Behind the bright lights and glitter dresses, we see the inflation, factory labor, and fragile political c***ensus that lurked beneath this golden era and would eventually spell its savage end with the rise of National Socialism.