二十世纪艺术Art 20th Cent Midi 电子版 免费 pdf 下载 azw3 fb2 caj mobi

This exhaustive look at a long century of art *** and art questioning is, understandably, more broad than it is deep. A massive, boxed, two-volume set, it's divided into secti*** on painting, sculpture, new media (performance art, video art, earth art, etc.), and p***ography, with a 150-page biographical appendix of all of the 780 artists whose works are illustrated in the main secti*** of the book. The original German text, written by a team of writers and art historians, has been fluidly translated by John William Gabriel. The authors are very much of their own time and place: there are more works from after World War II than before it, and many more German artists--including medi*** and derivative ones--make the cut than if the book had been written by, say, an English or a French team. In fact, the English seem slightly shortchanged here. William Tucker, still a vital influence, is represented by a 1967 minimal sculpture and a four-word mention, and painter Howard Hodgkin is omitted entirely. And while American sculptor-entrepreneur Jeff Ko*** is given more than his due, the thoughtful and significant Rachel Whiteread is not mentioned at all. But Art of the Twentieth Century is an unquestionably useful reference guide to a period that swings dramatically from the impressionists all the way to Nam June Paik. --This text refers to an out of print or unavailable edition of this title.

Art of the 20th Century Uolume I

　Painting

　by Karl Ruhrberg

　1 Prologue to Modernism

　 The Magic of Light

　 The Janus Face of lmpressionism

　 The Painting of Pure Reason

　 Seurat and the Neo-Impressionists

　 In Search of a Lost Paradise

　 The Work and Legend of Paul Gauguin

　 Truth beyond Beauty

　 Van Gogh: Painting as Dramatic Action

　 World Art from the Provinces

　 Paul Cezanne: the Primitive of a New Art

　2 TheWorld as Symbol

　 The Art of the Initiates

　 Symbolism and its C***equences

　 A Closed Society

　 Henri de Toulouse-Lautrec and the World of

　 Montmartre

　 Art as a Philosophy

　 Ferdinand Hodler: Swiss Symbolist

　 The Break with History

　 Youth Wipes the Slate Clean

　 The End of the Historical Definition of Art

　 Masquerades

　 The Haunted Realm of James Ensor

　 Life unto Death

　 The Crisis of Modern C***ciousness in the Work

　 of Edvard Munch

　4 Expression and Form

　 The Fauves and their Classic Representative

　 Matisse and his Circle

　 Sensation and Ecstasy

　 Northern German Expressionism

　 The Struggle for a New World

　 The "Briicke" Painters and their Utopia

　 A Belated Heir of the Baroque

　 Oskar Kokoschka: Viennese Expressionist

　 Universal Anxiety and a New Acquiescence

　 Meidner, M***ner, &hide and Late Expressionism

　5 Classicism and Imagination

　 The Calm after the Storm

　 Cubism, or Classical Modern Art

　 Assault on Tradition

　 The Brief but *** Earthquake of Futurism

　 "Paris, You, My Second Vitebsk!"

　 Marc Chagall and the Jewish Outsiders

　 Dreams of Compelling Magic

　 Henri Rousseau, his Contemporaries and Followers

　6 The End of Illusion

　 Painting as an Inner Necessity

　 The Blauer Reiter, Kandinsky, and the Spiritual in Art

　 Design of a Possible World

　 The Exemplary Art and the Exemplary Life of Paul Klee

　7 Revolt and Poetry

　 "Scarecrows against Reason"

　 The Dadaist Revolt

　 Transcending Borderlines: an Interim Report

　 Marcel Duehamp, Non-Conformist and Prophet

　 Melancholy and Loneliness

　 Gi***io De Chirico and Metaphysical Painting

　 The Omnipotence of Dreams

　 Surrealism - From Andrdre Breton to the Present

　8 Abstraction and Reality

　 Russian Revolutionaries and Dutch Iconoclasts

　 Suprematism, C***tructivism, and "De Stijl"

　 Art with a Social Mission

　 The Artists at the Bauhaus under Walter Gropius

　 Return to the Visible World

　 The Wave of Realism after World War I

　9 The Face of the Century

　 Painting as a Dramatic Act

　 Pablo Picasso: an Artist and his Legend

　 ……

　10　Between Revolt and Acceptance

　11 The Paris-New York Shift

　12 Painting as a Mind-Game

　13 Beyond Utopia

　14 At this Writing

Art of the 20th Century Uolume II

Ingo F. Walther, born 194o in Berlin, edited this volume and wrote the biographies in the lexicon of artists. Studied li***ture and art history in Frankfurt am Main and Munich. Author and editor of numerous monographs on the art of the Middle Ages an

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From Klimt to Ko*** and everything in between: it's all here (TASCHEN's 25th anniversary special edition) Who could possibly have forecast on New Year's Eve 1899 that, one hundred years later, painting and sculpture would be only opti***, not prerequisites? The term "art" has been defined and redefined so many times over the last 100 years that it has gained entirely new social, political, and technological meanings. Ranging across the full spectrum of disciplines available, including p***ography and new media, and thematically chaptered to highlight relati***hips between works and movements, this readable and encyclopaedic masterwork does just what it says on the cover. Whether you want Surrealism or Land Art, Fluxus or Bauhaus, this is your be-all, end-all guide to art of the 20th century. An undertaking as immensely ambitious as this one deserves to be owned by everyone, which is why we decided to make a special, more compact edition of this two-volume classic in celebration of 25