MICHAEL FREEMAN'S PHOTO SCHOOL: BLACK &(9781908150974) 电子版 免费 pdf 下载 azw3 fb2 caj mobi

　　Masteringthecraftofblack-and-whitewiththisuniqueapproach.Witheverydigitalimageholdingthepotentialforblack-and-whiteconversion,itsessentialforallp***ographerstolearnthereliabletechniquesandinnovativedigitalimplementati***thistimelessp***ographicgenreisbasedupon.Startingwithin-depthexplanati***ofhowandwhyblackandwhiteworks,MichaelFreemangoesontoteachthemajorthemesandoptimalworkflowsforcreatingstunningmonochromeimagesthatenhanceyoursubjectsandenrichyourportfolio.WiththeengagingcollaborativestructureoftheP***oSchoolseries,andMichaelFreemansyearsofexperienceshootingdigitalB&W,allp***ographerswillfindtheirworkrapidlyimproving.Sharedcritiquesandcreativechallengeswillencouragethereadertoseebeyondtheworldofcolourandexplorethefullpotentialofthiseffectiveandclassictechnique.

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Robert Frank was born in Zurich in 1924 to

parents of Jewish descent. He immigrated to the United States two

years after World War II ended, and since then he has produced work

that changed the history of art and p***ography. Groundbreaking

projects include The Americans, Lines of My Hand,

Black White and Things, Pull My Daisy and

Cocksucker Blues. Frank was the subject of a major

retrospective ***anized by the National Gallery of Art, Washington,

in 1994. He was the recipient of the Hasselblad Award in 1996. A

major exhibition ***anized by The National Gallery of Art,

Looking In: Robert Frank's "The Americans," will tour

nationally in 2009, with stops in Washington, San Francisco and New

York.

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Amazon.com Review

Armed with a camera and

a fresh cache of film and bankrolled by a Guggenheim Foundation

grant, Robert Frank crisscrossed the United States during 1955 and

1956. The p***ographs he brought back form a portrait of the

country at the time and hint at its future. He saw the hope of the

future in the faces of a couple at city hall in Reno, Nevada, and

the despair of the present in a grimy roofscape. He saw the roiling

racial tension, glamour, and beauty, and, perhaps because Frank

himself was on the road, he was particularly attuned to Americans'

love for cars. Funeral-goers lean against a shiny sedan, lovers

kiss on a beach blanket in front of their parked car, young boys

perch in the back seat at a drive-in movie. A sports car under a

drop cloth is framed by two California palm trees; on the next

page, a blanket is d***d over a car accident victim's body in

Arizona.

Robert Frank's Americans reappear 40 years after they were

initially published in this exquisite volume by Scalo. Each

p***ograph (there are more than 80 of them) stands alone on a page,

while the caption information is included at the back of the book,

allowing viewers an unfettered look at the images. Jack

Kerouac's original introduction, commissioned

when the p***ographer showed the writer his work while sitting on a

sidewalk one night outside of a party, provides the only

accompanying text. Kerouac's words add narrative dimension to

Frank's imagery while in turn the p***ographs themselves perfectly

illustrate the writer's own work. --This text refers to an out

of print or unavailable edition of this title.

From Publishers Weekly

In this 50th anniversary reissue, celebrated p***ographer Frank

maintains the format (left page: brief caption, right page: p***o)

and introduction (Jack Kerouac: "with the agility, mystery, genius,

sadness and strange secrecy of a shadow Frank p***ographed scenes

that have never been seen before on film"), the images themselves

have been re-scanned, re-cropped by Frank and, in two cases,

changed. Frank's images, taken all across the country, leave the

viewe***ith a solemn impression of American life. From funerals to

drug store cafeterias to parks, Frank recorded every shade of

everyday life he encountered: the lower and upper classes, the

living and dead, the hopeful and destitute, all the while

experimenting with angle, focus and grain to increase impact.

Preceding an exhibition that will tour U.S. galleries in 2009, this

volume will no doubt introduce new generati*** to Frank's

inimitable record of daily life fifty years ago. Kerouac says,

fittingly, that "after seeing these pictures you end up finally not

knowing any more whether a jukebox is sadder than a coffin"; those

who don't comprehend Kerouac's comment have yet to experience this

classic collection. 83 tri-tone plates.

Copyright © Reed Business Information, a division of Reed

Elsevier Inc. All rights reserved.

Review

There is undoubtedly no book that has packed a greater punch in

modern p***ography thank Frank's The Americans. -Charlie

LeDuff -- Vanity Fair, April 2008

书籍介绍

From timeless, elegant portraits to gritty, graphic street s***s, the possibilities of black and white are endless, enticing, and exciting. Recognising this potential within every s***, and knowing the digital-editing tools and techniques to maximize its effect are essential steps to building up your p***ographic repertoire.

Having first established the fundamental aesthetic choices that go into every B&W conversion, Michael Freeman goes on to review the noble tradition of black and white, detailing its numerous styles and fashi***, with step-by-step instructi*** on how to achieve each effect, regardless of your particular software. Presented in a straightforward and easy-to-understand format, you will soon be able to both visualise exactly how you want your final image to appear, and achieve that signature look with efficient workflows and powerful conversion techniques.

These skills open up new worlds of p***ographic opportunity everywhere you look, and encourage artistic growth just as much as they inspire you to try new styles and exciting treatments.